VERDADES EN PARALELO BAJO LA CENSURA: UNA EXPLORACIÓN DEL HÍBRIDO DOCU-FICCIÓN ‘CHICAS DE CLUB’ (1970), DE JORDI GRAU

M i r e n G A B A N T X O U R I A G E R E K A,V a n e s a F E R N Á N D E Z G U E R R A


Abstract

In the following paper we look into the ways in which Jordi Grau (1930) navigated the
censors to make an innovative film that challenged the established notions of film-making and the
audience’s expectations alike