Published
2023-12-07
Issue
Section
Monográfico
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
As a whole, the author(s) declare that ( download model ):
1.- Original and innovative contributions are made through this text. I/we certify that this work has not been published in whole or in part by any other means nor is it under consideration for publication in another journal.
2.- I/we acquire the commitment to accept the writing, publication, review and evaluation standards considered by Fonseca, Journal of Communication.
3.- I/we take responsibility for the content of the text that I/we send and for having contributed to the conception, design and execution of the work, analysis and interpretation of data and for having participated in the writing of the text and its possible revisions as well. as in the approval of the version that I/we finally send.
4.- I/we have been informed that changes in style of the manuscript may occur but that, nevertheless and in any case, the final galleys will be sent to me/us before the text, in case of favorable evaluation, is definitively published as an article. I/we undertake to acknowledge receipt of said proofs as well as, once verified, to give approval for their publication in the shortest possible time. I/we understand that we give tacit approval to the galleys if I/we do not send a response within 10 calendar days of receiving them.
5.- I/we affirm to know that the publication of an article in Fonseca, Journal of Communication does not entail any cost or remuneration.
6.- I/we declare to be free of any personal and/or commercial association that may pose a conflict of interest in connection with the article submitted as well as having respected the ethical principles of research.
7.- The undersigned author(s) transfer/we transfer the property rights (copyright) of this work to Fonseca, Journal of Communication so that it may be published under a Creative Commons license (in the modality indicated at the bottom of the main page of Fonseca, Journal of Communication. I/we assign the editing and reproduction rights.
LA «GLOCALIZACIÓN» COMO RASGO DEFINITORIO DEL REMAKE TRANSCULTURAL EN TELEVISIÓN
Dra. Isadora GARCIA AVIS
Abstract
In the current «Golden Age» of television, transcultural remakes of scripted formats are becoming increasingly more prevalent on television screens all over the world. In spite of this, this phenomenon has yet to be examined from a theoretical perspective. Therefore, the aim of this study is to approach the notion of remake (and, more specifically,of transcultural remakes in television) from a conceptual standpoint. First of all, in order to explore the nature of remakes, it is deemed necessary to review existing bibliography in the field of cinematic remakes, where the term first appeared. With the goal of establishing a more comprehensive view of this concept, the theoretical findings are combined with interviews with television screenwriters, producers and executives, who provide a more practical point of view of the ways in which the term remake is used within the industry. Secondly, this article offers a review of different typologies and categorizations of remakes, highlighting the specificity of transcultural remakes in television. Lastly, this research manages to prove that the process of glocalization (that is, the dialogue between the global and local components of any given television format) emerges as a defining trait of this distinctive form of adaptation
